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- W2617760046 abstract "Campbell writes that within its four volumes are given all the motifs contained in the unified symphony of humanity’s spiritual heritage, “with many clues, besides, suggesting ways in which they might be put to use by reasonable men to reasonable ends—or by poets to poetic ends—or by madmen to nonsense and disaster” (Campbell, 1991a, p. xx). In the years since the publication of The Hero with a Thousand Faces (Campbell, 1993), Campbell’s insights into this symphony—the artefacts of which, whether works of philosophy, psychology, theology or folklore, he placed together under the umbrella of “myth”—have been put to use in fields as varied as screenwriting and organisational learning. In this paper, I will offer an account of how those clues, and the larger vision put forth in his writings, have served poetic ends in actor training and performance, particularly in work with the neutral mask, a powerful contemporary mask widely-used in actor training in Europe, Australia and North America. The influence of Campbell on this area of the arts can be seen to have two major elements: his monomyth is used as a guiding structure for improvisations in the training process and his vision, because it is amazingly congruent with mask work, provides an excellent orienting vehicle for the unique combination of creative work and personal transformation that this work represents. The nature of this transformational environment will be further illuminated by setting it alongside Stanislav Grof ’s model of healing in non-ordinary states of consciousness (Grof, 1985, 1987). The second part of the paper will describe the experience of actors who do this work— the transformations they report—and how the mask can be a way of research into the myth, archetype and journey, and what it has revealed regarding these in my own research." @default.
- W2617760046 created "2017-06-05" @default.
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- W2617760046 date "2005-01-01" @default.
- W2617760046 modified "2023-10-17" @default.
- W2617760046 title "Myth, Archetype and the Neutral Mask: Actor Training and Transformation in Light of the Work of Joseph Campbell and Stanislav Grof" @default.
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- W2617760046 doi "https://doi.org/10.24972/ijts.2005.24.1.37" @default.
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