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- W2619833844 abstract "This essay begins by outlining the forces of assimilation and dissent within the history of black American performance artistry since the 1960s. DeFrantz proposes a shift in curators' priorities away from representing multiculturalism in national presenting organizations in favor of a dynamic engagement with existing communities and publics. He calls for a recentering on minoritarian forms, a shift that would embody a new ethics and reflect new American demographic and cultural realities." @default.
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- W2619833844 date "2017-02-01" @default.
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- W2619833844 title "Identifying the Endgame" @default.
- W2619833844 doi "https://doi.org/10.1215/01610775-3710429" @default.
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