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- W2623143902 abstract "The chapter explores Menander’s dramatisation of divine characters and asks: what was the significance for Menander’s original audiences of seeing divinities on-stage? Through analysing Menander’s engagement with the dramatic tradition of portraying gods, the chapter suggests that Menander exploits his audience’s familiarity with dramatic setting and religious contexts to bring the audience into a closer relationship with the divine. Earlier scholarship viewed Menander’s audience as ‘bourgeois’ sceptics of gods, but recent research on Hellenistic religion, divine personifications and Menander’s audiences forces a re-evaluation of this position if we are to understand the significance of divine stage-presence for Menander’s original audiences." @default.
- W2623143902 created "2017-06-15" @default.
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- W2623143902 date "2013-12-13" @default.
- W2623143902 modified "2023-09-24" @default.
- W2623143902 title "Staging and constructing the divine in Menander." @default.
- W2623143902 hasPublicationYear "2013" @default.
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