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- W2625526967 abstract "This chapterexamines issues related to the potential of “vivid listening” for music’s temporal figurations in and of material contexts. It considers how listening in film becomes a problem for analysis, and analyzes how recontextualizing music in cinematic settings interacts with experiences of their temporal unfolding. It discusses the different aspects or components of listening in film and in music, and suggests that listening in/to music and listening to/in film differ from processing and figuring a score or scenario." @default.
- W2625526967 created "2017-06-23" @default.
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- W2625526967 date "2013-12-05" @default.
- W2625526967 modified "2023-09-23" @default.
- W2625526967 title "Listening In Film" @default.
- W2625526967 doi "https://doi.org/10.1093/oxfordhb/9780195328493.013.013" @default.
- W2625526967 hasPublicationYear "2013" @default.
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