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• W2625761251 abstract "La globalizacion es un proceso que esta cambiando el mapa de la actividad de la produccion de representaciones simbolicas del ser humano. La anterior cultura logocentrica se ha visto rebasada por el imperio absoluto de lo audiovisual, cuyos limites han sido desintegrados con la llegada de la digitalizacion, que ha supuesto una igualacion tecnica de todo tipo de contenidos. Esta transformacion esta mutando la produccion de todo tipo de contenidos culturales, planteando un nuevo mapa de grandes centros de produccion simbolica cultural, y produciendo el surgimiento de novedosos terminos como cine transnacional, comunicacion cross-media o lenguaje audiovisual transmedia. La produccion social de contenidos audiovisuales esta llamada a revolucionar muchos conceptos clasicos de la teoria de analisis y creacion filmicas y muchas de las asunciones de sus modelos de produccion industrial. Uno de los ejes mas interesantes que modelaran el nuevo panorama de la creacion cultural y social de imagenes en la contemporaneidad tiene que ver con el cuestionamiento de la idea clasica de autoria filmica y de la subversion de la relacion emisor/receptor. El trabajo trata de descubrir y poner en valor experiencias filmicas que problematizan algunos de estos conceptos y que estan consolidando practicas como la del cine colaborativo sin autor, forma de cine abierto cuya metodologia esta basada en la renuncia al reconocimiento y la propiedad de las obras, como arma de lucha politica.Globalization is a process that is changing the map of the activity of production of symbolic representations of human beings. The previous logocentric culture has been overwhelmed by the absolute rule of the audiovisual, whose boundaries have been broken with the advent of digitization, which has been a technical matching of all types of content. This transformation is mutating production of all types of cultural content, posing a new map of great cultural centers of symbolic production and the emergence of novel producing terms such as transnational cinema, communication, cross-media or transmedia audiovisual language. One of the most interesting lines that will shape the new landscape of social and cultural creation in the contemporary image has to do with the questioning of the classical idea of film authorship and the subversion of the relationship between transmitter and receiver. Social production of audiovisual content is set to revolutionize many classical concepts of the theory of analysis, and film and many of the assumptions of the models of industrial production. The work is to discover and experience to value films that problematize some of these concepts and are consolidating practices such as collaborative film without an author, a kind of open cinema whose methodology is based on the renunciation of public recognition and ownership as a weapon of political struggle." @default.
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• W2625761251 date "2012-10-01" @default.
• W2625761251 modified "2023-10-01" @default.
• W2625761251 title "Cine social y autoría colectiva: prácticas de cine sin autor en España | Social cinema and collective authorship: cinema practices without author in Spain" @default.
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