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- W2663043204 abstract "A kind of parallelism is noted between Marisa Madieri’s short story La conchiglia and the novella Lei dunque capirà by Claudio Magris. In La conchiglia there is a she (Madieri the author) who writes in the voice of a he (the narrator and surviving spouse) who recalls another she (his deceased wife Naipuni) and their life together. A similar stratagem can be seen in Lei dunque capirà, though in the novella there is a he (Magris the author) who writes in the voice of a she (the narrator Eurydice) who talks about another he (her poet husband Orpheus) and their moments together. The lives reflected in these immagini speculari which mirror one another compose a kind of love song, one (the surviving spouse’s hymn) a simple tender one, the other (Eurydice’s song) no less devoted but more complex, knotty. Both songs are perhaps a projection of how the protagonists might have wanted to appear to the person they love. The parallel is not perfect, though in each case the projection compensates for a lost reality." @default.
- W2663043204 created "2017-06-30" @default.
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- W2663043204 date "2011-12-06" @default.
- W2663043204 modified "2023-09-26" @default.
- W2663043204 title "Mirror Images of Remembrance in Marisa Madieri’s <i>La conchiglia</i> and Claudio Magris’s <i>Lei dunque capirà</i>: A Translator’s Notes" @default.
- W2663043204 doi "https://doi.org/10.33137/q.i..v32i1.15933" @default.
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