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- W2728230768 abstract "Few have studied music of the first half of thenineteenth century, and the prevailing impression of thestate of music in that period is a false one. It is based,naturally enough, on the two main sources of ready information:books of musical history , and t he music of the periodthat is still in use to-day. There is reason to think thatboth these sources are misleading.The historians have depicted the period as a Dark Ageof music., in 'which composers in the main confined themselvesto choral music' in abject mimicry of Handel or Mendelssohn,audiences were indifferent to everything except Messiahand popular ballads, and the few composers who had higherideals were crushed by the apathy and Philistinism of themajority. The writers who were mainly responsible for thisview were Davey, Fuller, Maitland and Walker (D9, El, E2).They wrot at a time when the English Renaissance wasthought to be in full flood. Parry, Stanford and EIgarwere the heroes of the day, and it was natural for historiansto see the preceding period as the darkness that came beforethe dawn." @default.
- W2728230768 created "2017-07-14" @default.
- W2728230768 creator A5022781356 @default.
- W2728230768 date "1959-01-01" @default.
- W2728230768 modified "2023-09-25" @default.
- W2728230768 title "Instrumental music in England, 1800-1850" @default.
- W2728230768 doi "https://doi.org/10.17863/cam.15935" @default.
- W2728230768 hasPublicationYear "1959" @default.
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