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• W2743643302 abstract "Cultural policies of the Southeastern European (SEE) countries have been developed in the late 1970ties and in the 1980ties, in the frameworks of socialist systems, and as a sign of future democratization and decentralization of the cultural life and activities. They largely followed constructivist tendencies, in line with the socialist concepts of “ new integrative cultures” and “ new harmonically developed humans” . The period of transition (from 1990 on) marked conceptual disintegration of these policies and concepts. An overall marginalization of culture, education and scientific research contributed to their full decay and their slow replacement by a new brand of cultural policies at the end of the 1990ties. The elaboration of these new policies was largely supervised and supported by the Council of Europe. This effort stood for the resistance to revived traditionalism and nationalistic conservativism that dominated cultural sphere of the time. The newly elaborated cultural policies testify of an effort to harmonize cultural values through acceptance of the key European cultural standards (e.g., freedom of creativity, democratization of cultures, liberalization of cultural production, etc.).They are mostly concentrated on the identity issues, on cultural diversities and intercultural relations. Such concentration may result in interpretation of own cultures as superior to other neighboring cultures, and lead to certain cultural isolationism. All SEE cultural policies lack a wider development and communicational frame, intellectual concepts that may clarify transitional intellectual chaos and knowledge that would enable better understanding of the undergoing cultural transition processes. Tolerance and respect for minority cultures is formal. Intentions to introduce market functioning in the arts and cultural production, lack of effort to rationalize cultural transition by reorganization of cultural institutions and reconstruction of cultural infrastructure are rather limited. Financing remains one of the major problems: the lack of funds is chronic, and usually matched by inability to use them effectively. The role of the state and the state bureaucracies remains exaggerated and inefficient, while civil society is weak and utterly dependent on foreign support. The impacts of cultural policies on cultural change have not been analyzed and evaluated properly. However, changes in the policies themselves are rather well followed through the constant updating of their achievements. The national cultural policies are not matched by either regional or city cultural policies. Although some regions, and particularly some cities in SEE invest considerable amounts of money in cultural development and cultural creativity, these are not organized and rationalized through well elaborated and accepted cultural policies. All cultural policies lack participation of artists and other actors involved in cultural activities and cultural production, as well as of general public and civil society organizations. They remain confined to professional and political circles. Designing cultural policies in Southeastern European countries represents a serious effort to organize and rationalize cultural transition and cultural change. However, this effort does not appear to be conceptually transparent, it is not all-encompassing and it is carried on with difficulties." @default.
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• W2743643302 date "2006-01-01" @default.
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• W2743643302 title "Transitional Cultural Policies in Southeastern Europe: An Effort to Systematize Cultural Change" @default.
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