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- W2743842512 abstract "In this paper I would like to present some of the frequently asked questions I get as an ethnomusicologist. During field research for my MA thesis in Hrvatsko zagorje region of northwestern Croatia, I tried to find some answers about the region's instruments ensembles, and I visited some of the local festivals of Because most of the songs performed there were newly composed (both lyrics and music), it was, in some cases, hard to find clear distinctions between music, as the people from that region call it, and popular (entertainment) music. But, when the musicians from that region present their home to outsiders, they usually do it through of old music and dances, which are in most cases the choreographed ones. As an ethnomusicologist, I'm often asked to evaluate which of these stage performances are more authentic. But, how to judge authenticity? Why are these in the eyes of people closer to folk music than the songs which really are performed in all kind of gatherings, especially informal ones? Why do they call these new songs folk? In this presentation I would like to raise a question which lurked and often resurged in my own research, that is – how can we ethnomusicologists (and should we) decide where music ends and popular begins." @default.
- W2743842512 created "2017-08-17" @default.
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- W2743842512 date "2007-01-01" @default.
- W2743842512 modified "2023-09-23" @default.
- W2743842512 title "Where does the folk music end and popular begin? Issues from field research in Croatia" @default.
- W2743842512 hasPublicationYear "2007" @default.
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