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- W2744011347 abstract "The thesis becoming becoming open all-around argues for a posthumanist and nondeterminate approach towards action as sculpture. It does so to overcome and place out of practice any kind of deterministic force that engenders predetermined rigid forms, processes, concepts, sounds, practices, bodies, meanings, genders, orientations, desires, and the narrowing of agency (possibilities) into a fixed doctrine of action. Through an engagement with the queer/feminist theory of Karen Barad the field for this research is revealed, constituted by a discussion of recent Australian action as sculpture projects by OSW (Open Spatial Workshop), the participatory, instrument-making practices of Franz Erhard Walther and Nathan Gray, and the picturing practice of Gilbert and George. The thesis (consisting of an exhibition and written dissertation) exposes the ways that my practice advances this field, arguing for action as sculpture to take multiple shifts. These shifts include a focus upon imperceptible and nonlinear action and its often unknown consequences, and the assertion that open artistic practices can be grounded by what comes to matter through contact. This grounding of openness consists of a swarming of relations and connections as the orientating forces of the work of art (rather than discreet, intentional artists/works) – constantly redistributing what matters. This compels a nonanthropocentric approach which, rather than trying to ignite nonanthropocentric modes of action by separating the ‘human’ from it, tries to vitalise the possibilities of a posthumanist approach to action which repositions the ‘human’ and ‘nonhuman’ as differential, dispersive and entangled; and, wholeheartedly restores bodies as flesh of the world. This writing details some of my projects, each constituted by a changing set of materials, instruments, people, pictures, relations and connections. In arguing for open practice, a two-sided position is taken: all action comes to matter/not all action comes to matter. These changing sets of inclusions/exclusions aim to both open all-around in the improvisation of unexpected action and to ground open practice in the particular relations and connections produced by such an openness. A main concern involved in this practice is the latent consequences of its activity, compelling art practice to spill into a mode of knowing in becoming, entangled within the ethicality of the world – as the world becomes thoughtful and the ‘human’ becomes worldly." @default.
- W2744011347 created "2017-08-17" @default.
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- W2744011347 date "2012-01-01" @default.
- W2744011347 modified "2023-09-24" @default.
- W2744011347 title "Becoming becoming open all-around" @default.
- W2744011347 hasPublicationYear "2012" @default.
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