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- W2754578145 abstract "The beginnings of Byron’s longer poems reveal a number of anxieties about the poetic act of beginning. He dealt with these concerns in several ways: revising opening lines, using translations from other poets to begin his poems, repurposing lines he had written in another context, multiplying prefatory paratexts, or asking other people to make decisions about how his poems should begin. His poetic beginnings reflect a concern about whether his poems would find well-informed and sympathetic readers, and they are often concerned with what his readers can be expected to know. In his later poems, however, Byron overcame some of these anxieties as he developed a different understanding of beginnings. Beppo and Don Juan are sustained by beginning gestures, which recur repeatedly throughout the poems. These beginnings reflect the poems’ openness to contingency, which tends to make all beginnings necessarily provisional, in life as in art." @default.
- W2754578145 created "2017-09-25" @default.
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- W2754578145 date "2017-10-30" @default.
- W2754578145 modified "2023-09-27" @default.
- W2754578145 title "Byron and the Difficulty of Beginning" @default.
- W2754578145 doi "https://doi.org/10.1093/res/hgx112" @default.
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