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- W2758793452 abstract "The secondary stress on the third beat in a simple quadruple meter facilitates half-measure hyperbeats. Through the shortening or lengthening of hyperbeats and/or hypermeasures, the hypermetric downbeat may shift to mid-measure creating a second-half-strong hypermetric state. The first movements of Haydn’s piano sonatas in D major Hob. XVI: 19, and G minor Hob. XVI: 44 contain many such hypermetric shifts between first-half- and second-half-strong. The shortening and lengthening of hypermeasures that generate and resolve these shifts have formal implications and create balance and unity in the movements on both local and global levels." @default.
- W2758793452 created "2017-10-06" @default.
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- W2758793452 date "2017-01-01" @default.
- W2758793452 modified "2023-09-28" @default.
- W2758793452 title "Making up for lost time: hypermetric equilibrium in two keyboard sonatas of Franz Joseph Haydn" @default.
- W2758793452 hasPublicationYear "2017" @default.
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