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- W2761870167 abstract "The history of the art of the twenty-first century has been characterised, among other things, by the attempt to move beyond the political and conceptual dichotomies generated by the Cold War. In 2016, Jaleh Mansoor and Armin Medosch each published books that participate in this communal effort, focusing on European art of the 1950s and 1960s. Both counter the mainstream art historical narratives of the post-war years, which still tend to hinge upon the Paris–New York axes. In so doing, Mansoor’s and Medosch’s books largely share the same ‘enemies’: a formalistic idea of abstract art, overarching historical accounts that neglect regional specificities, and approaches to conceptual art that overlook how, in the late 1950s and early 1960s, several European artists shaped works and discourses that were very similar in spirit to what the art world would later salute as the novelty of conceptual art. Both books place a great deal of importance on Cold War politics and borrow analytical tools from philosophy and the social sciences, with a distinctive preference for Marxist and left-wing thinkers. Despite these similarities, however, their methodologies are significantly different." @default.
- W2761870167 created "2017-10-20" @default.
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- W2761870167 date "2017-07-27" @default.
- W2761870167 modified "2023-09-25" @default.
- W2761870167 title "The Geopolitics of European Abstraction" @default.
- W2761870167 doi "https://doi.org/10.1093/oxartj/kcx018" @default.
- W2761870167 hasPublicationYear "2017" @default.
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