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- W2765495364 abstract "In addressing the issues of class and gender within the Indonesian modern canon the comfort found in the post-colonial mythology of the heroic and authentic anti-colonial modern artist is disrupted.[1] In the cracks, a discomforting matrix of relationships between modern painters and the women they painted is revealed. In Arbuckle's terms the modern project as pursued by Sudjojono and cohort was a deeply sexualized activity and can likened to the male fantasy of sexual conquest.[2] However it might also be asked if their acts of sexual fantasy carried out on women's bodies through painterly gesture be perceived exclusively as asserting dominance, or might we also imagine them as desperate acts to re-stabilize a fragile male self.[3] This paper argues that Indonesian Modern artists were reclaiming a sense of self not only through myths of indigeneity but also through the myths of masculinity found in European modernism." @default.
- W2765495364 created "2017-11-10" @default.
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- W2765495364 date "2017-01-01" @default.
- W2765495364 modified "2023-09-25" @default.
- W2765495364 title "The Painting of Prostitutes in Indonesian Modern Art" @default.
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- W2765495364 doi "https://doi.org/10.1353/sen.2017.0013" @default.
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