FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2765562320> ?p ?o ?g. }

• W2765562320 abstract "David Scofield Wilson- 'r One Y o s e m i t e , Two Y o s e m i t e , Courtesy Yosemite Park and Curry C o . Three Y o s e m i t e , Four ''Experience all the beauty and majesty of America's greatest national parks—Grand In discussing Yosemite, I often fall back upon words that belong in quotation marks, words like sacred and presence. Once, a friend countered, Do you really think it's a sacred place? When we were in high school, it was the place we went to get laid. This was a Yosemite I had never known, since I grew up in Minnesota, but the geography of license to which he confessed is familiar to our culture. This staple of American masculine fan­ tasy stretches as far back as the seventeenth-century, when one Pilgrim erected a Maypole and frolicked around it with Indian lasses until Miles Standish cut it down and sent him packing. There is a dark side to the Yosemite dream, which the hospi- tal, police dispatchers, enforcement rangers and federal court per­ sonnel know but keep largely hidden from the law-abiding public. We experience the same rapes, robberies and assaults, I was told by a ranger, as any city of 30,000 in California. David Brower is fond of claiming diat escape from civilization in Yosemite increases as the square of the distance from die road. He means to urge people to explore beyond their cars and paths. But many women feel their vulnerability increases in a similar ratio and is doubled at night. I have felt aggression from campers and day trippers who take over space, either literally by sprawling across walkways and clogging up bridges or figuratively by play­ ing car radios loudly or by drinking and carousing next door. Whose freedom does this landscape of liberty most empower? Another's liberty may function as my risk, and by promising a kind of licence to all, Yosemite equally facilitates a threat to all. There are many Yosemites. Some people come for the tradi­ tional, exclusive Christmas feast and masque. Others inhabit the canvas-roofed, cement-block-walled housekeeping cabins, which have electricity and stoves, and bring TVs, bikes, rafts and lawn chairs. Still others are more sedentary, wearing white loafers and polyester leisure suits and frequenting Yosemite Lodge. To many young families, Yosemite is an inexpensive, safe and enter­ taining vacation, with hikes, lectures and campfires. Yosemite is an arena in which alternative visions of liberty and justice, of nature and culture, of sacred and profane are contested. This Yosemite is not objective nor subjective so much as dialogic and semiotic, more an occasion than a place. Yosemite is die sort of cultural and natural edifice and occasion the anthropologist Victor Turner saw as multivocal, multivalent and polysemous. Yosemite speaks to different people in different voices, it mat­ ters to diverse populations in divergent ways and it signifies con­ trasting, competing values and beliefs held by different groups. Canyon, Yosemite, and Yellowstone. Each video is a personal tour complete with sights, sounds and spectacular moments....Superb photography, tightly narrative, and specially scored stereo music. $69.95, the set. —Advertisement for Reader's Digest Great National Parks Video Collection in National Public Radio catalog, 1989. Badger Pass Ski Area. Courtesy Yosemite Park and Curry Co. A" @default.
• W2765562320 created "2017-11-10" @default.
• W2765562320 creator A5053844065 @default.
• W2765562320 date "1990-04-01" @default.
• W2765562320 modified "2023-09-24" @default.
• W2765562320 title "One Yosemite, Two Yosemite, Three Yosemite, Four [Place Debate: Yosemite National Park - Perceptions]" @default.
• W2765562320 hasPublicationYear "1990" @default.
• W2765562320 type Work @default.
• W2765562320 sameAs 2765562320 @default.
• W2765562320 citedByCount "0" @default.
• W2765562320 crossrefType "journal-article" @default.
• W2765562320 hasAuthorship W2765562320A5053844065 @default.
• W2765562320 hasConcept C166957645 @default.
• W2765562320 hasConcept C205649164 @default.
• W2765562320 hasConcept C2777479802 @default.
• W2765562320 hasConcept C2780993040 @default.
• W2765562320 hasConcept C95457728 @default.
• W2765562320 hasConceptScore W2765562320C166957645 @default.
• W2765562320 hasConceptScore W2765562320C205649164 @default.
• W2765562320 hasConceptScore W2765562320C2777479802 @default.
• W2765562320 hasConceptScore W2765562320C2780993040 @default.
• W2765562320 hasConceptScore W2765562320C95457728 @default.
• W2765562320 hasIssue "3" @default.
• W2765562320 hasLocation W27655623201 @default.
• W2765562320 hasOpenAccess W2765562320 @default.
• W2765562320 hasPrimaryLocation W27655623201 @default.
• W2765562320 hasRelatedWork W118168292 @default.
• W2765562320 hasRelatedWork W1901821185 @default.
• W2765562320 hasRelatedWork W2112596567 @default.
• W2765562320 hasRelatedWork W2145316672 @default.
• W2765562320 hasRelatedWork W2153489333 @default.
• W2765562320 hasRelatedWork W2277317693 @default.
• W2765562320 hasRelatedWork W2315628698 @default.
• W2765562320 hasRelatedWork W2514487639 @default.
• W2765562320 hasRelatedWork W2767430617 @default.
• W2765562320 hasRelatedWork W2805988683 @default.
• W2765562320 hasRelatedWork W2921055071 @default.
• W2765562320 hasRelatedWork W3209562527 @default.
• W2765562320 hasRelatedWork W326001020 @default.
• W2765562320 hasRelatedWork W335276503 @default.
• W2765562320 hasRelatedWork W338982609 @default.
• W2765562320 hasRelatedWork W584145766 @default.
• W2765562320 hasRelatedWork W794148237 @default.
• W2765562320 hasRelatedWork W90008947 @default.
• W2765562320 hasRelatedWork W218131426 @default.
• W2765562320 hasRelatedWork W2181720990 @default.
• W2765562320 hasVolume "6" @default.
• W2765562320 isParatext "false" @default.
• W2765562320 isRetracted "false" @default.
• W2765562320 magId "2765562320" @default.
• W2765562320 workType "article" @default.