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- W2767819076 abstract "ABSTRACTMusica de balas, by Hugo Salcedo, revives and humanizes Mexican bodies that often appear only as death toll statistics. Relating experiences from notably violent border cities, such as Tijuana and Ciudad Juarez, the play performs feminicides, decapitations, civilian casualties, and cartel feuds as a way of signaling posttraumatic stressors that hold the nation captive, literally reliving and repeating senseless tragedies. From the title itself, Salcedo suggests that modern-day Mexicans hear gunfire so frequently that it has become a sort of music, a backdrop to life on the border. At the same time, the only references to music in the play are songs associated with the iconic voice of the narcocorrido genre: Chalino Sanchez, himself publicly gunned down. Considered together, the narcocorrido accompaniment and flying bullets are not simply a soundtrack to the play but, rather, stand in as a depiction of the soundscape of the modern nation." @default.
- W2767819076 created "2017-11-17" @default.
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- W2767819076 date "2017-10-02" @default.
- W2767819076 modified "2023-10-16" @default.
- W2767819076 title "Sounds of a Modern Nation: FromNarcocorridosto Hugo Salcedo'sMúsica de balas" @default.
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- W2767819076 doi "https://doi.org/10.1080/00397709.2017.1386480" @default.
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