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- W2770299599 abstract "“I will not answer for what Isak Dinesen writes. It’s hampering!” – Karen Blixen exclaimed in an interview in 1935, after the identity of the successful Isak Dinesen was disclosed in Denmark. And furthermore: “I took the pseudonym, because I don’t want personally to be involved in the authorship.” In my paper I suggest that Karen Blixen – ‘the author in flesh and blood’ – stands for an ethical philosophy of life, characterized by decency, responsibility, integrity, righteousness, empathy – as unfolded in the books on Africa and her essays. On the other hand Isak Dinesen is essentially the storyteller with the courage to “make fun of everything” – deconstruct, undermine, offend. One could call Dinesen’s style and “life view” for aesthetic-humorous – with reference to Soren Kierkegaard’s stages of life. “I often intend a comic sense, I love a joke, I love the humorous”, Blixen says in an interview in 1956. But humour – in Kierkegaard’s sense – is combined with a certain sadness or pain. In her stories Blixen unfold this humorous tone in the so-called “ cadenza d ’ inganno ”, mentioned in The Cardinal ’ s First Tale , which “makes every preparation for a perfect finish and then, instead of giving the expected final accord, suddenly breaks off and sounds an unexpected, strange and alarming close.” This cadenza d ’ inganno , I will contend, is a particular meta-characteristic of Isak Dinesen ’ s style. Furthermore: in her humorous aesthetics she is close to Pirandello, whom she called “an Einstein in literature”." @default.
- W2770299599 created "2017-12-04" @default.
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- W2770299599 date "2017-11-20" @default.
- W2770299599 modified "2023-09-24" @default.
- W2770299599 title "Karen Blixen’s Humour – with reference to Kierkegaard and Pirandello and Spinoza’s SUB SPECIE AETERNITATIS" @default.
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