FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2772880878> ?p ?o ?g. }

• W2772880878 abstract "Over the course of the last 10 years, I think we have seen the influence of the Internet on media to make everything shorter and more easily consumed. This influence has undoubtedly had an effect on art, including my own art with varying degrees of self awareness. Part of what interests me is the struggle to take more control over my relationship with time. -- Evan Roth, discussing his Landscapes series At a time where information is rapidly consumed and instant judgements have become the norm, Part Two: Observations brings together works that encourage close attention and contemplation. Using media as varied as photography, film, online data and sculpture, the works in the second part of Looking at one thing and thinking of something else interrogate our patterns of viewing, seeking to foster new, more sustained modes of engagement in our image-saturated environment. Natascha Sadr Haghighian’s onco-mickey-catch (2016) uses a new application for image correction to investigate socially, culturally and technologically conditioned conventions of viewing. The application CatchEye uses facial recognition software to align the gaze of users of applications such as Skype, in order to give the impression that each person is looking directly into the camera and making eye contact with the other. Visitors are invited to access the application on two computer monitors embedded in a sculptural form resembling an oversized mouse, a reference to the OncoMouse™ known for being the first patented mammal. onco-mickey-catch calls attention to technologies developed in close connection with military research that have been adapted for commercial purposes, and makes manifest the ever more porous boundaries between the body and technology that inform our modes of relating. Compression Artifacts (2013), a project by Joshua Citarella, explores how artworks are consumed within today’s model of image production and distribution. In 2013, an exhibition was held in a custom-built structure at an undisclosed location. Citarella describes that the works in the show were curated in such a way as to “anticipate their transmission as images and, as such, have taken on certain characteristics native to graphics editing software.” He explains, “Art objects and exhibition spaces may now be partially fabricated, documented and hyper-realistically transformed into idealistic states whose physical manifestation would reach beyond the material means of their producers. In a universe comprised of images, the ability to create the outward appearance of value becomes a means of empowerment.” Christine Sun Kim and Thomas Mader’s Tables and Windows (2016) is a playful attempt to provide a new set of visual tools for mapping space and describing objects. Taking as its point of departure the sign language teacher Andreas Costrau's assertion that non-Deaf students often struggle to describe rooms and the objects within them, these two videos show Kim and Mader combining their facial expressions and hand gestures to together sign highly detailed descriptions of a variety of tables and windows. First uploaded in 2004, Thomson & Craighead’s Template Cinema is a series of low-tech networked short films made from data appropriated in real-time from the world wide web. Each one is comprised of footage from a live webcam paired with a found soundtrack, and framed within the tropes of the cinematic experience. The vista from a surveillance camera on a coastal walkway, <<< less" @default.
• W2772880878 created "2017-12-22" @default.
• W2772880878 creator A5044816736 @default.
• W2772880878 creator A5064501818 @default.
• W2772880878 date "2017-12-02" @default.
• W2772880878 modified "2023-09-27" @default.
• W2772880878 title "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Two: Observations" @default.
• W2772880878 hasPublicationYear "2017" @default.
• W2772880878 type Work @default.
• W2772880878 sameAs 2772880878 @default.
• W2772880878 citedByCount "0" @default.
• W2772880878 crossrefType "journal-article" @default.
• W2772880878 hasAuthorship W2772880878A5044816736 @default.
• W2772880878 hasAuthorship W2772880878A5064501818 @default.
• W2772880878 hasConcept C107038049 @default.
• W2772880878 hasConcept C111472728 @default.
• W2772880878 hasConcept C138885662 @default.
• W2772880878 hasConcept C142362112 @default.
• W2772880878 hasConcept C144024400 @default.
• W2772880878 hasConcept C153349607 @default.
• W2772880878 hasConcept C154945302 @default.
• W2772880878 hasConcept C15744967 @default.
• W2772880878 hasConcept C178288346 @default.
• W2772880878 hasConcept C2779916870 @default.
• W2772880878 hasConcept C29595303 @default.
• W2772880878 hasConcept C37531588 @default.
• W2772880878 hasConcept C41008148 @default.
• W2772880878 hasConcept C67805463 @default.
• W2772880878 hasConceptScore W2772880878C107038049 @default.
• W2772880878 hasConceptScore W2772880878C111472728 @default.
• W2772880878 hasConceptScore W2772880878C138885662 @default.
• W2772880878 hasConceptScore W2772880878C142362112 @default.
• W2772880878 hasConceptScore W2772880878C144024400 @default.
• W2772880878 hasConceptScore W2772880878C153349607 @default.
• W2772880878 hasConceptScore W2772880878C154945302 @default.
• W2772880878 hasConceptScore W2772880878C15744967 @default.
• W2772880878 hasConceptScore W2772880878C178288346 @default.
• W2772880878 hasConceptScore W2772880878C2779916870 @default.
• W2772880878 hasConceptScore W2772880878C29595303 @default.
• W2772880878 hasConceptScore W2772880878C37531588 @default.
• W2772880878 hasConceptScore W2772880878C41008148 @default.
• W2772880878 hasConceptScore W2772880878C67805463 @default.
• W2772880878 hasLocation W27728808781 @default.
• W2772880878 hasOpenAccess W2772880878 @default.
• W2772880878 hasPrimaryLocation W27728808781 @default.
• W2772880878 hasRelatedWork W108161888 @default.
• W2772880878 hasRelatedWork W189532858 @default.
• W2772880878 hasRelatedWork W1968429547 @default.
• W2772880878 hasRelatedWork W2018753916 @default.
• W2772880878 hasRelatedWork W2067594533 @default.
• W2772880878 hasRelatedWork W2196380706 @default.
• W2772880878 hasRelatedWork W2216195758 @default.
• W2772880878 hasRelatedWork W2271093851 @default.
• W2772880878 hasRelatedWork W2286584492 @default.
• W2772880878 hasRelatedWork W2626251117 @default.
• W2772880878 hasRelatedWork W2783104128 @default.
• W2772880878 hasRelatedWork W2803967103 @default.
• W2772880878 hasRelatedWork W2979458922 @default.
• W2772880878 hasRelatedWork W308222472 @default.
• W2772880878 hasRelatedWork W3164340391 @default.
• W2772880878 hasRelatedWork W3179812052 @default.
• W2772880878 hasRelatedWork W3196277320 @default.
• W2772880878 hasRelatedWork W3206340103 @default.
• W2772880878 hasRelatedWork W344421498 @default.
• W2772880878 hasRelatedWork W583048944 @default.
• W2772880878 isParatext "false" @default.
• W2772880878 isRetracted "false" @default.
• W2772880878 magId "2772880878" @default.
• W2772880878 workType "article" @default.