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- W2773612185 abstract "In 2009 the artist Debbie Symons commandeered the large urban screen at Federation Square in Melbourne and turned it into a replica of the LED screen in the Melbourne stock market. The stock are the endangered species featured on the Red List of Threatened Species published by the International Union for Conservation of Nature and Natural Resources (IUCN).1 Over a harrowing seven minutes, the silent video contracts an eight-year planetary narrative of the demise of irreplaceable fauna and flora. Once you appreciate what the increasing numbers mean, the grand league table fills you with dread. We watch the figures grow, while one country outdoes the next toward the extermination of whole types of life. It's the flip side of the economy. Instead of championing the pride of companies whose profits boost share prices, nations are represented by the shame index of their offence to biodiversity. To use the language of commercial vigour to express the depletion of the earth's gene stock is chilling. In collapsing the death-data with the language of the free market, the work proposes that there's a direct relation between the two: performance in the economy is inversely proportional to ecological conservation." @default.
- W2773612185 created "2017-12-22" @default.
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- W2773612185 date "2014-12-01" @default.
- W2773612185 modified "2023-09-24" @default.
- W2773612185 title "The artworld and the paradox of sustainability" @default.
- W2773612185 hasPublicationYear "2014" @default.
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