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- W2786076135 abstract "In art history, performanceis categorized as performance art and defined as live-act. However, performanceis no longer conceived of by artists as live-act only. Rather, the art ofproducing performances, according to artists, also includes considerations oftheir documentation and mediatization. In these contexts a paratextualperspective would enable considering documentation practices as part ofperformance art, which would also mean to acknowledge that performance is apractice associated with other practices that go beyond the enactment orstaging which precedes or follows it.It is my claim that the potential of performance in visual art lies exactly inthis ability to divest itself of a stable medial identity. This is to say thatperformance does not only have the practical need, but also the generalpotential to connect itself with other media, such as texts and audiovisualrecords. I think that contemporary performances in visual art cannot be viewed as distinctfrom the intermedial and paratextual issues with which they are connected. Theyengage, intermingle and enter into reciprocal relationships with these issues.So, I propose to understand performances in and through their relations totexts." @default.
- W2786076135 created "2018-02-23" @default.
- W2786076135 creator A5013648284 @default.
- W2786076135 date "2017-10-24" @default.
- W2786076135 modified "2023-09-26" @default.
- W2786076135 title "Writing performance : on relations between texts and performances" @default.
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