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- W2791854744 abstract "This investigation focuses on the gendered body as it internalises power and knowledgesystems through visualities and gestural routines. Tropes of normalcy and deviancy,positioned through the perspective of the deviant woman, are dislodged through aperformative mode of research and practice. The genealogy of normalcy is discussed inrelation to the visual devices that formulate its social constitution in the cultural screen andthe gaze. This historicity is dissected within nineteenth century emergent forms of datamodelling (physiognomy, sociology and photography) and considered within JohannaDrucker’s term graphesis - as forms of visual coding that distill complex information intostatic visual representations. These homogenised visualities, enacted through fields ofpower and capital are integrated and then performed in and through the gendered habitus(the site of gendered formation and articulation).The deviant woman inhabits the tropes of normalcy in the studio to re-perform processes ofgestural inscription for the camera. These actions are fatigued through the excesses ofparody, repetition and endurance, strategies that draw on Judith Butler’s theories ofcitational acts. The residual traces of these acts are anamorphically distorted throughmultiple copy processes and drawing. These processual deconstructions use affect‘smomentum to create a contested site for the gestural inscription – an undefined space ofpotential. The term smooth space, from Gilles Deleuze and Felix Guattari, will be applied tothis undefined arena, which is considered as open and indeterminate in opposition to fixed and culturally limited striated space." @default.
- W2791854744 created "2018-03-29" @default.
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- W2791854744 date "2017-08-01" @default.
- W2791854744 modified "2023-09-26" @default.
- W2791854744 title "The Deviant Woman: Graphesis and typological instantiation" @default.
- W2791854744 hasPublicationYear "2017" @default.
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