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- W2792139241 abstract "The article foregrounds a number of cases of performative preaching in Naples under Spanish rule with particular attention to the specific form of competition between preachers and professional actors. In the churches and streets of the city, preaching was ever present, nourished by a mix of theatre and sacred oratory, a near realisation of the concept of theâtre sur le theâtre . Examples of this phenomenon are to be found in the cultural transformation of certain actors and impresarios into hypocritical, bigoted preachers and the dazzling voice of Giacomo Lubrano, the Jesuit poet, who created the rhetorical machinery of Neapolitan-style preaching." @default.
- W2792139241 created "2018-03-29" @default.
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- W2792139241 date "2018-03-10" @default.
- W2792139241 modified "2023-10-07" @default.
- W2792139241 title "Animated Pulpits: On Performative Preaching in Seventeenth-Century Naples" @default.
- W2792139241 doi "https://doi.org/10.13128/jems-2279-7149-22840" @default.
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