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- W2793548382 abstract "In the current recession, German television has developed a particular proclivity for ‘emigration shows’. In this article, I explore the most prominent of these, Goodbye Deutschland – Die Auswanderer ( Goodbye Germany – The Emigrants, since 2006). Through a figurative analysis, I investigate how Goodbye Germany produces its female protagonists as failed national subjects worthy of social derision and contempt. By highlighting how the programme equates the departure from Germany with a departure from coherent feminine respectability, I show how we can understand this programme as a cultural expression of ‘commercial nationalism’ that produces Germany as a ‘safe haven’ within an economically unstable Europe." @default.
- W2793548382 created "2018-03-29" @default.
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- W2793548382 date "2018-02-25" @default.
- W2793548382 modified "2023-09-26" @default.
- W2793548382 title "No place like home" @default.
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- W2793548382 doi "https://doi.org/10.1177/1749602017734129" @default.
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