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- W2794397579 abstract "Starting from a discussion of imitation and parody in Cervantes’ <italic>Don Quixote</italic>, this chapter moves through Charlotte Lennox’s <italic>The Female Quixote</italic> to her compilation of sources, <italic>Shakespear Illustrated</italic> (1753–4). Objections to Shakespeare’s derivativeness, of the kind advanced by Lennox, go back to Robert Greene’s pamphlet <italic>Greenes Groatsworth of Witte</italic> (1592), where the dramatist is denounced as an ‘vpstart Crow, beautified with our feathers’. To reconstruct the methods of Elizabethan playmaking is to find that the recycling of plays, poems, and prose romances on stage was standard. Competitiveness among players and playwrights led to accusations of plagiarism. What gives an edge to the accusation that Shakespeare is a crow in borrowed plumage is the notion of him as an upstart. Drawing on texts about acting, fashion in hair and dress, and the fashioning of plays, discussion moves from the <italic>Groatsworth</italic> to <italic>Much Ado</italic> as a comedy about upstarts that turns on borrowed attire." @default.
- W2794397579 created "2018-03-29" @default.
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- W2794397579 date "2018-01-18" @default.
- W2794397579 modified "2023-09-23" @default.
- W2794397579 title "Upstarts and Much Ado" @default.
- W2794397579 doi "https://doi.org/10.1093/oso/9780198793755.003.0002" @default.
- W2794397579 hasPublicationYear "2018" @default.
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