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- W2795560103 abstract "The following focusses on aspects of hybridised multi-layered performance as seen in Wagner’s Tristan and Isolde, recently in a new production at the English National Opera (ENO). The notion of Wagner’s, ‘Gessamtkunstwerk’ (his own spelling) is particularly relevant, as are the influences of Schopenhauer’s ‘Philosophy of Pessimism’ and to a lesser extent Nietzsche’s apologias. There are nuances within music and libretto which invoke all of these in the work’s treatment of Liebestod, self-immolating romantic passion. This production was conducted by Edward Gardner, directed by Daniel Kramer, and designed by Anish Kapoor with digital assistance from Frieder Weiss." @default.
- W2795560103 created "2018-04-13" @default.
- W2795560103 creator A5002699228 @default.
- W2795560103 date "2018-04-04" @default.
- W2795560103 modified "2023-09-26" @default.
- W2795560103 title "Hybridised Performance: Disruption and Deferment in Wagner’s <i>Tristan and Isolde</i>" @default.
- W2795560103 cites W1986718739 @default.
- W2795560103 cites W2019127073 @default.
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- W2795560103 doi "https://doi.org/10.16995/bst.298" @default.
- W2795560103 hasPublicationYear "2018" @default.
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