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- W2798413149 abstract "Among other aims in their poetic revolution, Eliot and Pound wished present a poem as if it were not subject its proper temporal limitations and could usurp the spatial form of a painting. By necessity, of course, poetry and prose are temporal arts and traditionally they have been so recognized: one reads and apprehends words in sequence for their sounds and meanings; one passage follows another chronologically. Music, without the meanings of words, is similar; its proper effects are gained when notes, phrases, passages, and movements are experienced in order in time. Pound and Eliot, on the other hand, wanted the reader, in the words of Joseph Frank, to perceive the elements of the poem as juxtaposed in space rather than unrolling in time.' Pound, for instance, proposed that poetry should produce image which would present an intellectual and emotional complex in instant of time; his and Eliot's poetry suggested that word groups would be perceived simultaneously rather than in temporal sequence, and since this is not possible one must reread obtain the desired effect. Meanwhile, back in New York, William Carlos Williams was studying painting and trying reproduce in his verse its simultaneity," @default.
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- W2798413149 date "2016-01-01" @default.
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- W2798413149 title "ROBERT DUNCAN AND THE LYRIC" @default.
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