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- W2800218329 abstract "Before, and after, I became an architect I was/am an artist. As both artist andarchitect I work in the subject of architecture but my transdisciplinary critical practice operatesin this outside, third space, through production and analysis of structural film to communicate,translate, explore and potentially generate architecture. The relationship is between not onlymy two disciplines, but also practice and theory (as they relate to each other and to bothdisciplines) are central to my research. Gilles Deleuze’s notion of ‘relays’ between practice andtheory, extended by Jane Rendell to emphasise a symmetrical, reciprocal relationship,describes my integrated, iterative model of critical practice.One of my most recent pieces, Sunhouse Elevation/Sunhouse Azimuth is a pair of structuralfilms, dealing with the progress of the sun through a South London Victorian terraced house. Iwould also categorise this as an architectural moving drawing; it communicates the interactionof spatial, material, and temporal qualities of light with a particular building. The footage (realtimeand time-lapse) for the films was not shot on a single day, rather collected over a periodof years, always in the months surrounding the vernal equinox. In this chapter I argue that inboth of my moving drawing films the interplay of light with space with the viewer does what nostatic orthographic drawing can do and invites a direct temporal and haptic engagement withthe tectonics of the space." @default.
- W2800218329 created "2018-05-17" @default.
- W2800218329 creator A5017328705 @default.
- W2800218329 date "2015-09-16" @default.
- W2800218329 modified "2023-09-26" @default.
- W2800218329 title "Light matter : a transdisciplinary moving drawing practice" @default.
- W2800218329 hasPublicationYear "2015" @default.
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