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- W2800493122 abstract "Racial theories of culture were considered by many mid-nineteenth century intellectuals to be a powerful, stylish discipline that could be depended on the conclusion that Europe's Jews were an insidious, inassimilable cultural economic force. While recent research supports the authorship of Liszt's companion, Princess Caroline Sayn-Wittengstein, Liszt allowed his name to the author of The Gypsy in Music, which follows in the path established influential racial theorist, Count Arthur de Gobineau, author of the seminal sur l'Inégalité des Races Humaines (1853–55). In the three chapters Liszt/Sayn- Wittgenstein's book devoted to the 'Jew in Music', the Jew is identified as a link in the production/consumption cycle of art, incapable of imagination and individuality." @default.
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- W2800493122 date "1999-01-01" @default.
- W2800493122 modified "2023-09-25" @default.
- W2800493122 title "Composition as Spiritual Practice" @default.
- W2800493122 doi "https://doi.org/10.3167/ej.1999.320205" @default.
- W2800493122 hasPublicationYear "1999" @default.
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