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• W280339013 abstract "Jacques Lacan's encounter with Paul Claudel's play foregrounds typical traumatization of psychoanalytic subject in face of paternal prohibitions. Lacan's reading of Claudel shows that subject's privation is most extreme when deliberately abjures responsible wielding of his symbolic power. Following a path that was dictated by his putative return to Freud--albeit by a controversial and by now well-documented detour through linguistic models of Ferdinand de Saussure and Roman Jakobson, and by way of structural anthropology of Claude L[acute{e}]vi-Strauss--the late Jacques Lacan made question one of central tenets of his own school of French psychoanalysis. Today, Lacan's equations of figure of Father with Symbolic (in its linguistic definition), with Law (in its juridico-cultural signification), with Master (in its Hegelian definition), and with Phallus (in its revised Freudian connotation), have been disseminated within a wide spectrum of literary, cultural, and critical inquiries. One of most sustained evocations of question appears in Lacan's Le S[acute{e}]minaire de Jacques Lacan: Livre VIII, Le transfert, 1960-196). [1] A portion of this seminar edited by Jacques-Alain Miller as a book, is dec11cated to reading of Paul Claudel' s Co[hat{u}fontaine trilogy. Lacan, who found throughout trilogy sustained and prescient flashes of insight indicative of most acute socio-psychological observations, believed that in (the second play of trilogy) Claudel had grappled with topic of with exemplary perspicacity. This essay, while examining Lacan's reading of Claudel, addresses itself to fundamental enigma of role of in its Lacanian complexity. By tracking question in through footsteps of psychoanalyst, I would like to show that each piece of revelation connected to mystery of former is in fact equivalent to a disclosure in great puzzle of latter. I will first introduce central Lacanian terminology, the Name-of-the-Father (with its echoes of Freud's primal horde), as it informs upon notions such as, the split subject, incest interdiction, and overall construction of self in Lacan. I will then proceed, through existing conflict between and offspring (the subject), to investigate conditions leading to breaking or perpetuation of father's laws. Finally, I will show that, in Claudel, Lacan not only finds one of his own seminal preoccupations, namely thematic of father (S[acute{e}]minar ire VIII 332), but he also appropriates Claudel when necessary to shed light on his own notion of father. Claudel was of course towering French playwright dramas were widely considered to be devotional fugues honoring Christian martyrs. The dramatic pieces investigated by Lacan--published in English as Three Plays: The Hostage, Crusts, The Humiliation of The Father--follow destiny of consecutive generations, bound by ties of an aristocratic family and paternal Co[hat{u}]fontaine name. In Crusts, according to Lacan, it is in abjection of [Toussaint] Turelure (S[acute{e}]minaire VIII 329), in person of manipulative whose drama, and death, will make [him] not only pivot, but strictly speaking object of central play, Crusts (333), that Claudel locates dynamics of his play. Lacan is actually inspired by title of third play of trilogy, The Humiliated Father, which is an epithet he finds directly relevant to Turelure. In psychoanalysis, father, who is also lawgiver, is equally chief censor of incest in Oedipal triangle. Lacan is aware that stern authority of in Freud comes from mythic vision of a primal (in Totem and Taboo) who waged war against his own male descendants, who was killed, and then symbolically revived by very same horde of brothers who regretted their murderous deed and instituted universal taboo against incest in his name. …" @default.
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• W280339013 date "2000-03-01" @default.
• W280339013 modified "2023-09-23" @default.
• W280339013 title "Lacan and Claudel's Crusts: The Thematic of the Father" @default.
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