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- W2803669117 abstract "This chapter examines Merata Mita’s <italic>Mauri</italic>, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the <italic>mauri</italic> (or life force) in the Māori world." @default.
- W2803669117 created "2018-06-01" @default.
- W2803669117 creator A5053529754 @default.
- W2803669117 date "2018-05-24" @default.
- W2803669117 modified "2023-09-24" @default.
- W2803669117 title "A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988)" @default.
- W2803669117 doi "https://doi.org/10.3366/edinburgh/9781474429443.003.0007" @default.
- W2803669117 hasPublicationYear "2018" @default.
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