FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2804448086> ?p ?o ?g. }

• W2804448086 endingPage "1" @default.
• W2804448086 startingPage "1" @default.
• W2804448086 abstract "Chuck Kleinhans 1942–2017: A Tribute* Joan Hawkins and Tom Waugh Jump Cut co-founder/co-editor-publisher Chuck Kleinhans, one of the most influential film scholars and activists of the era of the New Left and onwards, died suddenly of heart failure on December 14, 2017 in Eugene, Oregon. The forty-three-year-old magazine, in print since 1974 and online since 2001, has a long-standing tradition of addressing media in all its socio-political dimensions, but especially the way it impacts and is impacted by questions of race, gender, sexuality, and class. Jump Cut will continue to address “contemporary media” with all its well-known commitment, passion and astute analytic vision. But in a journal where longtime life and professional partners Julia Lesage and Chuck Kleinhans often spoke with one voice, Chuck’s absence is deeply felt. An entire generation of scholars, those of us who came of age at a time when film studies was just beginning to be well and truly instantiated in the University, grieve his passing. And as social media has made abundantly clear, multiple generations of film scholars, historians, activists and critics have lost a devoted mentor and astute reader-editor. Chuck was Associate Professor Emeritus in the Radio/Television/Film Department at Northwestern University in Evanston, Illinois, where he served from 1977 to 2009. The courses he taught over those decades say much: introductory courses in microcomputer graphics, film and video making, media literacy, and popular culture; advanced courses in production aesthetics, experimental and documentary film and video, and Hollywood cinema; and graduate courses in film/tv theory, mass culture theory, digital culture, and cross-cultural media. A connoisseur of documentary and the avant-garde and sexual representation and everything in between, local and global, Chuck was a legendary piercer of bullshit and complacency in academia, on the left, and everywhere else, a brilliant identifier of the exact political and artistic issues at stake in every film and piece of film scholarship. He wrote extensively—essays on documentary, on porn, on sexual [End Page 1] politics, on Latin American Cinema, on radical cinema and political praxis, on Hollywood, on Third World Media, and on pedagogy. He worked hard to unearth or call attention to films in danger of falling through the historical cracks. And he prided himself on opening conversation. His work on Ken Bland’s Cry of Jazz,1 for example, jump started a dialogue with Michael T. Martin, leading to a subsequent essay on the film that Martin coauthored with David Wall.2 Martin disagreed—on many key points—with Kleinhans’s reading of Bland’s film, but that was exactly the kind of intellectual discussion that Chuck valued. Intelligent, committed, passionate debate that recognized the political stakes in knowledge production. He was a generous mentor and friend to young scholars, including the authors of this essay. When Tom Waugh disagreed with a piece that Chuck had written for Jump Cut, Chuck invited him to join the journal’s staff. At a time when it was still difficult for women—especially women graduate students—to publish feminist work, Jump Cut provided a space where we could publish, under our full names—Joan Hawkins instead of the gender-neutral J. Hawkins. When they rejected material, Chuck and Julia always gave good, useful critiques. Chuck was also a frequent and generous contributor to Frameworks, the Experimental Film Discussion List. In addition to his print scholarship, Chuck made at least twenty-three short films, mounted nine one-person exhibitions and participated in at least fourteen group shows, some of which he curated. When Jump Cut went online in 2001, Chuck and Julia carried their filmmaking experience and skills over to the new format, transforming the journal into one that truly used the digital platform. Written essays in Jump Cut generally contain more stills than journals typically allow. These are arranged with substantive captions to provide something like a photographic essay that can be read—either in tandem with the written piece or as a separate independent work. Throughout his career, Chuck cultivated a brand of critical analysis that drew from personal history and personal observed experience, as well as from scholarly works..." @default.
• W2804448086 created "2018-06-01" @default.
• W2804448086 creator A5000220714 @default.
• W2804448086 creator A5076031804 @default.
• W2804448086 date "2018-01-01" @default.
• W2804448086 modified "2023-10-18" @default.
• W2804448086 title "Chuck Kleinhans 1942–2017: A Tribute" @default.
• W2804448086 cites W2040159345 @default.
• W2804448086 doi "https://doi.org/10.2979/blackcamera.9.2.01" @default.
• W2804448086 hasPublicationYear "2018" @default.
• W2804448086 type Work @default.
• W2804448086 sameAs 2804448086 @default.
• W2804448086 citedByCount "0" @default.
• W2804448086 crossrefType "journal-article" @default.
• W2804448086 hasAuthorship W2804448086A5000220714 @default.
• W2804448086 hasAuthorship W2804448086A5076031804 @default.
• W2804448086 hasConcept C104317684 @default.
• W2804448086 hasConcept C142362112 @default.
• W2804448086 hasConcept C144024400 @default.
• W2804448086 hasConcept C153349607 @default.
• W2804448086 hasConcept C15744967 @default.
• W2804448086 hasConcept C17744445 @default.
• W2804448086 hasConcept C185592680 @default.
• W2804448086 hasConcept C199539241 @default.
• W2804448086 hasConcept C2776187405 @default.
• W2804448086 hasConcept C2777038452 @default.
• W2804448086 hasConcept C2780310893 @default.
• W2804448086 hasConcept C29595303 @default.
• W2804448086 hasConcept C519580073 @default.
• W2804448086 hasConcept C52119013 @default.
• W2804448086 hasConcept C542102704 @default.
• W2804448086 hasConcept C55493867 @default.
• W2804448086 hasConcept C56273599 @default.
• W2804448086 hasConcept C59430087 @default.
• W2804448086 hasConcept C94625758 @default.
• W2804448086 hasConceptScore W2804448086C104317684 @default.
• W2804448086 hasConceptScore W2804448086C142362112 @default.
• W2804448086 hasConceptScore W2804448086C144024400 @default.
• W2804448086 hasConceptScore W2804448086C153349607 @default.
• W2804448086 hasConceptScore W2804448086C15744967 @default.
• W2804448086 hasConceptScore W2804448086C17744445 @default.
• W2804448086 hasConceptScore W2804448086C185592680 @default.
• W2804448086 hasConceptScore W2804448086C199539241 @default.
• W2804448086 hasConceptScore W2804448086C2776187405 @default.
• W2804448086 hasConceptScore W2804448086C2777038452 @default.
• W2804448086 hasConceptScore W2804448086C2780310893 @default.
• W2804448086 hasConceptScore W2804448086C29595303 @default.
• W2804448086 hasConceptScore W2804448086C519580073 @default.
• W2804448086 hasConceptScore W2804448086C52119013 @default.
• W2804448086 hasConceptScore W2804448086C542102704 @default.
• W2804448086 hasConceptScore W2804448086C55493867 @default.
• W2804448086 hasConceptScore W2804448086C56273599 @default.
• W2804448086 hasConceptScore W2804448086C59430087 @default.
• W2804448086 hasConceptScore W2804448086C94625758 @default.
• W2804448086 hasIssue "2" @default.
• W2804448086 hasLocation W28044480861 @default.
• W2804448086 hasOpenAccess W2804448086 @default.
• W2804448086 hasPrimaryLocation W28044480861 @default.
• W2804448086 hasRelatedWork W1994144390 @default.
• W2804448086 hasRelatedWork W1994937095 @default.
• W2804448086 hasRelatedWork W2270612193 @default.
• W2804448086 hasRelatedWork W2280809607 @default.
• W2804448086 hasRelatedWork W2327006902 @default.
• W2804448086 hasRelatedWork W2748952813 @default.
• W2804448086 hasRelatedWork W2992734223 @default.
• W2804448086 hasRelatedWork W3134574961 @default.
• W2804448086 hasRelatedWork W3139913193 @default.
• W2804448086 hasRelatedWork W3193494382 @default.
• W2804448086 hasVolume "9" @default.
• W2804448086 isParatext "false" @default.
• W2804448086 isRetracted "false" @default.
• W2804448086 magId "2804448086" @default.
• W2804448086 workType "article" @default.