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- W2805918558 abstract "The property theory of musical works says that each musical work is a property that is instantiated by its occurrences, that is, the work's performances and playings. The property theory provides ontological explanations very similar to those given by its popular cousin, the type/token theory of musical works, but it is both simpler and stronger. However, type/token theorists often dismiss the property theory. In this essay, I formulate a version of the property theory that identifies each type (thus, each musical work) with a unique property. I then scrutinize the arguments offered for thinking that types, including musical works, are distinct from properties. I respond that no such argument is forceful and conclude that the property theory of musical works is superior to the type/token theory." @default.
- W2805918558 created "2018-06-13" @default.
- W2805918558 creator A5028758437 @default.
- W2805918558 date "2018-02-04" @default.
- W2805918558 modified "2023-10-17" @default.
- W2805918558 title "The Property Theory of Musical Works" @default.
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- W2805918558 doi "https://doi.org/10.1111/jaac.12435" @default.
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