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- W2807838701 abstract "This chapter examines the centenary commemorations of the Easter Rising in 2016, and focuses particularly on the way that children’s experience of the rebellion was reclaimed and rearticulated through performance during that anniversary year. The chapter begins by describing the way that popular books and exhibition spaces in 2016 examined the experience of 1916 from the perspective of children. We then see how this recovery dovetailed with a broader process of recovery of some of the overlooked narratives of Easter Week, most notably those of the 12% of participants in the Rising who were women. By moving into the realm of the Irish playhouse, we can see that the reclamation of children’s experience of the rebellion was occurring at the same time as a prominent theatrical movement to reclaim women’s voices. The one female-authored piece that was included on the Abbey Theatre’s controversial commemorative programme for 2016 was, after all, Ali White’s play, Me Mollser, a piece designed to tour Irish schools and retelling the story of O’Casey’s The Plough and the Stars from the perspective of the consumptive child Mollser. The chapter then draws on the theoretical thinking of Ashis Nandy in order to consider why both the representations of children and representations of women may have proved so neuralgic in the Irish cultural debate, and seeks to understand how troubled representations of the parent–child dynamic on the imperial side of the conflict might also be dramatized." @default.
- W2807838701 created "2018-06-21" @default.
- W2807838701 creator A5035408135 @default.
- W2807838701 date "2018-01-01" @default.
- W2807838701 modified "2023-09-23" @default.
- W2807838701 title "Children of the Revolution: 1916 in 2016" @default.
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- W2807838701 doi "https://doi.org/10.1057/978-1-137-58588-2_57" @default.
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