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- W2808382869 abstract "Chris Marker, who started his career as a political and cultural essayist in post-World War II France, is most well-known as an avant-garde documentary filmmakerworking as part of The French New Wave of the 1950s and 1960s. For Marker, interestin the documentary enterprise centers on the issue of objective versus subjectiverepresentation. His films focus on the roles memory, time, and emotion play in therepresentation of historical events.My thesis contributes a detailed analysis of Sans Soleil (1982), the filmrecognized as Marker’s masterpiece within his oeuvre and as the work which links thepolitics and aesthetics of 1960s film culture with today’s media environment. Hisbaroquely-layered feature-length documentary is part travelogue, part diary entry, andpart political commentary. Marker is less interested in conveying facts of the world thanin teaching his audience how to evaluate the stream of images of the world that come intotheir living rooms everyday. I argue that Marker employs a number of cinematictechniques which work to undermine the traditional narrative experience, most notablythe incorporation of the gaze of the animal and the machine, as means to animate theviewer into an active role as producer of meaning.In Chapter 1, I introduce Chris Marker and the context for his transition fromwriter to filmmaker, situating him within the larger New Wave of filmmaking that wassweeping France. Chapter 2 begins the close reading of Sans Soleil. I explicate several of the various cinematic modes Marker uses to organize the dense narrative, such as arhizome-like narrative structure, and the novel use of the gaze and montage. Chapter 3continues the close analysis of the film, focusing on Marker’s attention to animals andnew technology. Marker’s innovative inclusion of the animal and machine helps viewerssee themselves as part of both natural and cultural systems simultaneously. Sans Soleiloffers a codex of representational strategies that provoke a viewer into thinking of him orherself as a political being, an important role for Chris Marker who uses film as a tool foractivism.%%%%M.A.%%%%1 online resource (xi, 152 p.) : col. ill., ports.%%%%%%%%Art and Art History%%%%College of Arts and Sciences%%%%Chris Marker French New Wave Sans Soleil Film Gaze Posthumanist%%%%UNRESTRICTED" @default.
- W2808382869 created "2018-06-21" @default.
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- W2808382869 date "2009-01-01" @default.
- W2808382869 modified "2023-09-24" @default.
- W2808382869 title "Voyeurizing the voyeurs : an analysis of the gaze of the non-human other in Chris Maker's film Sans soleil" @default.
- W2808382869 hasPublicationYear "2009" @default.
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