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- W2809302315 abstract "IN RECENT TIMES improvisation has made a significant comeback in classical music concerts, education, and scholarship. Pianist Robert Levin has injected fresh life into Mozart by improvising ornaments, lead-ins, and whole cadenzas to Mozart concertos. More impressively still, he plays free fantasies in Mozart style on themes given by the concert audience. Gabriela Monteiro has built a distinctive reputation among concert pianists by improvising at length on themes solicited from the audience, drawing on an eclectic range of styles from Bach-like baroque to modern jazz. Early music practitioners have long understood the importance of improvisation to historically informed practice, but artists such as violinist Andrew Manze and harpsichordist Richard Egarr have pressed it to new limits. Organist Thierry Escaich has been inventing entire four-movement symphonies on themes suggested by the audience, setting a new standard for a tradition already rich in improvisation. Students and fans of these elite musicians are showing signs that they intend to keep the flame burning by cultivating improvisational practice in various classical idioms...." @default.
- W2809302315 created "2018-06-29" @default.
- W2809302315 creator A5063871156 @default.
- W2809302315 date "2018-06-21" @default.
- W2809302315 modified "2023-09-24" @default.
- W2809302315 title "PreludeThe Virtue of Improvisation" @default.
- W2809302315 doi "https://doi.org/10.1093/oso/9780190633585.003.0001" @default.
- W2809302315 hasPublicationYear "2018" @default.
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