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- W2809955542 abstract "A central part of the museum, art gallery and library fulfilling their missions is the provision of broad public access to collections. As a reflection of this remit there is now a range of smartphone-like devices that work in conjunction with digital platforms to provide visitors with rich information about cultural artefacts. Drawing on interviews with 39 cultural workers, industry blogs and contemporary case-study examples, this article reflects upon the specific practices and tools that represent the materialisation of a participatory ideology. The aim is to consider the tensions associated with the digital transformation of cultural collections by locating the ongoing efforts of cultural workers and their reflections within existing critiques of surveillance technologies and participatory media. The paper contributes to continuing conversations about the relationship between data collection and cultural collections and identifies a blurring between the rationalities of cultural institutions and the logics of an algorithmic media system." @default.
- W2809955542 created "2018-07-10" @default.
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- W2809955542 date "2018-05-04" @default.
- W2809955542 modified "2023-10-09" @default.
- W2809955542 title "The Logic of Platforms: How “On Demand” Museums Are Adapting in the Digital Era" @default.
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- W2809955542 doi "https://doi.org/10.1080/02560046.2018.1466903" @default.
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