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- W284027331 abstract "39 If we look to origin and evolution of folk theatre, we have to admit that this theatrical tradition is interlinked with human civilization. In the Vedic period, people had developed potential artistic qualities, like songs, dances and many religious rituals to express their emotions, hopes and aspirations. 'Bharat Muni' the 1st dramaturgist codified the art of dramaturgy in his famous treatise called 'Natyasastra'. In Orissa, the historians and drama critics opine that arena theatre was prevalent in the days of Emperor Kharavela in 1st century A.D. Dhiren Das, a noted dramaturgist has deciphered the Hatigumpha inscription and categorically emphasized, that 'Ranigumpha' cave of Khandagiri was an arena theatre where people were staging plays from time immemorial in Orissa, the land of art and architecture. Many folk forms have been developed mainly out of celebrating religious and social ceremonies. Songs and dances are integral ingredients of these folk forms. Each folk form had its particular community, same language, area and way of life. We find some communality in each form. Religious movements like Saivism, Hinduism, Jainism and Vaishnaism have shaped thematic contents of these folk forms. The musicality is one of the greatest characteristics of these folk dramas. The musical instruments developed indigenously are peculiar features of these folk plays. The instruments used in Daskathia are different from Lilas or Chhaus." @default.
- W284027331 created "2016-06-24" @default.
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- W284027331 date "2008-01-01" @default.
- W284027331 modified "2023-09-27" @default.
- W284027331 title "Relevance of folk theatres in modern times." @default.
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