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- W286332013 abstract "The article presents the atmosphere of book culture in Prague during Francisk Skorina local activity (1517-1519). The heritage of incunabula printers in Prague was modest. Observing the simple late gothic typography of Prague incunabula without different type sizes or type cuts, lacking in marginal notes, inscriptions, titles or initials we assume, that the rise of readers public of lower and middle bourgeoisie was slower and delayed comparing to the foreign countries. The analysis of Utraquist and Hebrew book-print implicates the hypothesis that in Prague was active the rental print-shop and that Skorina might have used this print-shop during his local stay. The important finding out is that to the Prague enviroment, from the editorial and book-print point of view rigid enviroment, came Skorina equipped with the knowledge of the foreign typography and that the compositor of the Russian Bible was able to use the whole visual apparatus known in foreign countries. The analysis of the Jagellonian book culture also proved, that the illustrations cycle might have been created according to the Skorina's precise instructions by several Prague drawers (among them the Master IP) and one woodcutter (Mistr jemne srafury – Master of Fine Hatching). The important christological element of illustrations is composed by emblema (so far supposed ad Skorina's signet) and two graphic symbols, all together showing to the reader the inferiority of the Old Testament to the New Testament. In this context is evident the influence of Durer's Apocalypse (1498). The author of the title leaf and ornamental bands is Master of Skorina's Ornament. Most of initials were created by the Master of Burleigh's Border. We may suppose that the mentioned artists, gradually coming to Prague since 1507, made also the series of vignettes. Skorina also introduced the progressive typography and the new concept of the illustration cycle of the Bible, independent on the up to now typization. The main elements are the crypto-portrait and the beletrization and psychological view of the figural themes. None of them was assumed in Prague of in Bohemia. Therefore we observe that Prague Utraquist book-print was rigid not only against the compositions standards of foreign book production, but also against the Hebrew books and Russian Bible." @default.
- W286332013 created "2016-06-24" @default.
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- W286332013 date "2014-01-01" @default.
- W286332013 modified "2023-09-27" @default.
- W286332013 title "Výtvarná složka Skorinovy Bible ruské jako součást české knižní grafiky [The Visual Art in Skarina’s Russian Bible in the Context of Czech BookIllustration]" @default.
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