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- W286997981 abstract "White, Bob W. Rumba rules: The politics dance music in Mobutu's Zaire. Durham: Duke University Press, 2008. 300 pp. Rumba rules: The politics dance music in Mobutu's Zaire, is a smoothly written book that describes culture, specifically dance music, as a political barometer. In eight, absorbing, virtually jargon free chapters White (2008), reflects on the role that dance music holds within ethnic communities, a role that reflects past and present history, carrying political messages fluctuating between the conservative and militant. Defined as culturally patterned beliefs and practices that inform the way that power is sought after, yielded, and understood (p. 15), culture has the ability carry convincing or dissuasive political messages the listener. When we listen the lyrics music, what message do they carry? Are the words supportive a government that is corrupt, embezzling and oppressing the nation, and following in the footsteps a colonial past that it swore replace, or do the words imply a resistance a government that has betrayed and abandoned its people? Is dance music acting as an accomplice a corrupt government based on a relationship reciprocity between political leader and band leader? White considers the question, did things get so out control in Mobutu's Zaire? within a specific period, 1990-1996, by describing how dance music and politics collaborated to reinforce a uniquely modern tradition authoritarian rule [1965-1997] (p. 249). A rule which began with a seizure power supported by Belgium and the United States. Formally known as the Belgium Congo, Mobutu's Republic Zaire advocated Mobutism, rhetorically translated as nationalism, revolution, and authenticity, language which economic and political independence would be achieved, and capitalism and communism would be supplanted. Instead, what Mobutism came stand for was corruption and injustice. White analysis gives credit Zairian dance music, in particular the practice libanga, praise singing and immortalizing businessmen and politicians, as contributing the uneasy support Mobutu's big man leadership. Rumba rules: The politics dance music in Mobutu's Zaire, makes it clear that and political culture has propped each other through tangible relations clientelism and praise but also a common idiom big man-style leadership (p. 15); a style present in both the government and the music bands. Based on this, White asks if popular dance music can reveal something new about politics in Mobutu's Zaire? (p. 15), and proceeds respond the many factors embedded in this question. Beginning with chapter one, he outlines the theoretical concepts that underline the study and goes on provide an overview musical genres practiced in Kinshasa, Zaire while describing the relationship between political economy, dance music club performances, and live music concerts in Kinshasa. As the chapters progress the factor upward mobility and the role the lyric for musicians and singers within a dance music context emerges. Musical group organizations and the hierarchies the groups themselves, often mimicking Zairian political hierarchies, appear as a representation of a skewed version local ideas about musical and political leadership (p. …" @default.
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- W286997981 title "White, Bob W.: Rumba Rules: The Politics of Dance Music in Mobutu's Zaire" @default.
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