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- W2885703772 abstract "Anxieties about the Holocaust often assume the form of anxieties about lost mothers in W. G. Sebald's fiction. His narrator is relentlessly drawn to victims who were separated from their mothers during the war, mothers who then disappeared with scarcely a trace into the camps. In Sebald's treatment of the Holocaust, Nazi 'crimes against humanity' are often translated as 'crimes against the family'. Mark M. Anderson identifies the central importance of the family drama in Sebald's work. Sebald's literature of reparation is rooted in large part to a troubled paternal legacy as the son of a soldier in the Wehrmacht. This chapter focuses on visual and textual instances from Vertigo and The Emigrants. Sebald's narrator laments the corruption of sacred maternal virtues as a deplorable casualty of the Second World War." @default.
- W2885703772 created "2018-08-22" @default.
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- W2885703772 date "2015-11-01" @default.
- W2885703772 modified "2023-09-26" @default.
- W2885703772 title "The return of the repressed mother in W. G. Sebald’s fiction" @default.
- W2885703772 doi "https://doi.org/10.7765/9781526102034.00023" @default.
- W2885703772 hasPublicationYear "2015" @default.
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