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• W28858980 abstract "One of the key preoccupations in Australian drama is the presence and agency of landscape. This claim is perhaps most obviously illustrated in the bush plays of the first half of the twentieth century, a genre concerned primarily with the physical rigours imposed on struggling landholders by an unforgiving bush environment. Two plays from this tradition, both written in 1919, constitute the focus of this essay; it is worth observing here, however, that Katharine Brisbane's description of the 'the tyrannous landscape' as the source of Australia's 'national romantic paranoia' has currency still, especially when landscape is understood as a socio-cultural, rather than a topographical, phenomenon. For while 'landscape' is related to 'land', it is distinct from it, and can most usefully be understood as a socio-cultural rather than a topographical phenomenon. Landscape implies a viewer, a human presence whose description or representation always bears the traces of a culturally constructed, historically specific subjectivity. To encounter a landscape is always, ultimately, to encounter a human presence. Rendering landscape, whether as words, objects or images, thus becomes the practice of altering the 'disposition of Nature to...[a particular] point of view'." @default.
• W28858980 created "2016-06-24" @default.
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• W28858980 date "1993-10-01" @default.
• W28858980 modified "2023-09-26" @default.
• W28858980 title "'Framing the landscape: Prichard's Pioneers and Esson's The Drovers'" @default.
• W28858980 hasPublicationYear "1993" @default.
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