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- W2889666987 abstract "This chapter examines narrative mainstream cinema in South Korea, focusing on the key films that were commercially successful and influential as far as Korean gangster cinema is concerned. It explains how broad of a presence the kkangpae maintains while proposing one possible method of considering the movement of the Korean gangster in cinema. Jung Doo-hong is perhaps the single most instrumental figure in Korean kkangpae cinema, playing an integral role in producing the gangster in contemporary Korean visual image culture. Discussions of Korean gangster films often begin comparatively, suggesting an analogous quality between the Korean gangster and the neighboring Japanese yakuza or the Italian/American mafia. Much of 2000s gangster cinema was reflecting on the aesthetics of the 1990s kkangpae films and, almost inadvertently, the films were also reconsidering the work of Jung Doo-hong." @default.
- W2889666987 created "2018-09-27" @default.
- W2889666987 creator A5062335324 @default.
- W2889666987 date "2018-09-03" @default.
- W2889666987 modified "2023-10-16" @default.
- W2889666987 title "Jung Doo‐hong and the Gangster Body" @default.
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- W2889666987 doi "https://doi.org/10.1002/9781119041757.ch27" @default.
- W2889666987 hasPublicationYear "2018" @default.
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