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• W2890128450 abstract "Spaces without drama or surface is an illusion, but so is depth Graham Foundation for Advanced Studies in the Fine Arts, Chicago 16 February–1 July 2017The Graham Foundation's exhibition Spaces without drama or surface is an illusion, but so is depth showed that the recent rise of digital collage among avant-garde practitioners has its roots in postmodernism's earlier scenographic obsession. The exhibition featured nineteen commissioned works from architects, artists, and a scenographer alongside five historical references, all orchestrated by curators Ruth Estevez and Wonne Ickx and displayed in the Graham Foundation's Madlener House.Spaces without drama joined a provocative series of contemporary publications and exhibitions in propagating alternatives to the frequent commercial sleekness of architectural representations, whose commoditized realism often reads as fundamentally false. Estevez and Ickx sought to demonstrate that the widespread use of collage by architectural firms such as fala atelier, OFFICE Kersten Geers David Van Severen, and Sam Jacob Studio represents a strategic opposition to the ubiquity of photorealist digital renderings. Thus, the exhibition explored flatness: the making of images and buildings that function as images first and foremost. Through digital collage, architecture becomes a series of disciplined compositions to which surfaces are applied; mass and volume give way to layered planes.Conceptually, the exhibition's analogy between theater and architecture was made explicit by a singular and puzzling object: Aldo Rossi's Little Scientific Theater (1978), which was presented through photographs. The architect used this viewing box, measuring 50 by 60 by 70 centimeters, to arrange model fragments and painted images, as well as toys and kitchenware. The Little Scientific Theater was regularly transformed (compositions that pleased Rossi were documented in photographs), but only through “scenographic” rearrangements and not through action on its stage. The first part of the exhibition's title refers obliquely to this curious absence. For Danielle Sa, these arrangements, as well as the design for the …" @default.
• W2890128450 created "2018-09-27" @default.
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• W2890128450 date "2018-09-01" @default.
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• W2890128450 title "Review: Spaces without drama or surface is an illusion, but so is depth" @default.
• W2890128450 doi "https://doi.org/10.1525/jsah.2018.77.3.361" @default.
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