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- W2890636760 abstract "Raymond Bellour explains the difference between Christian Metz’s semiological approach and his own approach to film analysis, and the degrees by which he became disenchanted with psychoanalysis, despite his debt to Lacan’s notion of the imaginary, the real, and the symbolic. With reference to his analysis of Alfred Hitchcock’s <italic>North by Northwest</italic>, he proceeds to comment on how he evolved such key notions as “symbolic blockage” (“<italic>le blocage symbolique</italic>”) and “the undiscoverable text” (also referred to as “the unattainable text” or “<italic>le texte introuvable</italic>”). He then describes the influence of <italic>Anti-Oedipus</italic> by Gilles Deleuze and Félix Guattari, and his interest in American cinema and filmmakers like Alfred Hitchcock, Michael Curtiz, and Fritz Lang." @default.
- W2890636760 created "2018-09-27" @default.
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- W2890636760 date "2018-09-20" @default.
- W2890636760 modified "2023-09-25" @default.
- W2890636760 title "Film Analysis and the Symbolic" @default.
- W2890636760 doi "https://doi.org/10.3366/edinburgh/9781474422888.003.0007" @default.
- W2890636760 hasPublicationYear "2018" @default.
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