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- W2890932938 abstract "Chapter 5 embarks on the analysis of one of the most widespread (stereotypical) tropes associated with Russia, in which the ‘Russia as a crime scene’ conception plays a potent part: that of the Russian soldier. The analyses are concerned with pictures which – not seeking to deny the militarisation of contemporary Russian society – look for historical foundations of the stereotype and examine the discursive and political mechanisms underlying the construction of militarised Russian bodies, both in terms of representation (through references to Nordic, notably Finnish, war films, as well as Soviet cinematic propaganda), and in the socio-cultural realities of contemporary Russia. <italic>Rysskräck</italic> (Swedish word for fear of Russia) is thus often deconstructed as a Nordic projection in which the Russian soldier is an entity contrasted with the peacefully-minded, unarmed, and innocent Nordic body. The concept of the disciplined (militarised) body enables one to diagnose representations of Russia as a society/nation of grand narratives, but the chapter also takes a look at films employing such strategies as humour, irony, sarcasm or deliberately de-politicised stance, thanks to which grand narratives can be circumvented." @default.
- W2890932938 created "2018-09-27" @default.
- W2890932938 creator A5013919020 @default.
- W2890932938 date "2018-04-01" @default.
- W2890932938 modified "2023-09-25" @default.
- W2890932938 title "Embodying the Fear of Russia: The Militarised Body" @default.
- W2890932938 doi "https://doi.org/10.3366/edinburgh/9781474418102.003.0006" @default.
- W2890932938 hasPublicationYear "2018" @default.
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