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- W2891571237 abstract "This paper considers Lars von Trier’s Nymphomaniac dilogy as an allegory for ‘polyphonic’ cinematic event that creates an unusual relationship between the film and the spectator. The two films revolve around Joe (Charlotte Gainsbourg) narrating her life story to Seligman (Stellan Skarsgard), who sometimes reacts to her narration with fascination, sometimes with skepticism. I shall explore how their relationship can be seen in allegorical terms which describe the relationship between cinema and the spectator in general. This relationship is based on belief and the aesthetics of chance, and it is best characterized as a reciprocal, co-creative energy that flows in both directions. However, as soon as this flow of energy is blocked, a form of resistance develops, which makes it impossible for the relationship to work. This, in turn, is linked with valuing cinema. I shall argue that that aesthetic appreciation seems to be at its most intense, when one is able to believe in the very event of cinematic experience – however incredible – from within one’s own sensory perception and intelligent deliberation." @default.
- W2891571237 created "2018-09-27" @default.
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- W2891571237 date "2017-01-01" @default.
- W2891571237 modified "2023-09-25" @default.
- W2891571237 title "Mea maxima vulva: Appreciation and aesthetics of chance in Nymphomaniac" @default.
- W2891571237 doi "https://doi.org/10.5040/9781501322488.ch-014" @default.
- W2891571237 hasPublicationYear "2017" @default.
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