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- W2891586306 abstract "Using Karlheinz Stockhausen’s Solo für Melodieinstrument und Rückkopplung (1965–1966) as a starting point, the authors investigate the affect and effect of technological transference when reproducing historical repertoire with live electronics. A suggestion of technical transparency often accompanies digital sound technologies; we aim to challenge this notion. We argue that the coloring that emerges with digital media can (and perhaps should be) used to inject new life into, and ask new questions of, the works that are being preserved." @default.
- W2891586306 created "2018-09-27" @default.
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- W2891586306 date "2018-12-01" @default.
- W2891586306 modified "2023-09-24" @default.
- W2891586306 title "On Stockhausen’s Solo(s): Beyond Interpretation" @default.
- W2891586306 cites W2009544529 @default.
- W2891586306 doi "https://doi.org/10.1162/lmj_a_01036" @default.
- W2891586306 hasPublicationYear "2018" @default.
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