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• W2891623521 abstract "Reviewed by: Contra todos los fueros de la muerte: El suceso cervantino by Jacques Lezra Tatevik Gyulamiryan Lezra, Jacques. Contra todos los fueros de la muerte: El suceso cervantino. La Cebra, 2016. Pp. 489. ISBN 978-9-87362-126-0. As Cervantes mentions in his prologue to the first part of Don Quixote, every reader is free to say anything about his book without fear of reproach for criticism or hopes for a reward or applause. [End Page 463] While this statement gives permission to the reader to like or dislike what Cervantes has to offer, it also, in a way, invites for any possible interpretation that a reader can devise. Jacques Lezra's reading of Cervantes (and not only of his Don Quixote) most definitely accepts Cervantes's invitation to infiltrate the literary world of the Spanish author, deconstruct and reconstruct it, stretch out and compress Cervantine meanings in various contexts. In his reading of Cervantes's works, Lezra brings to light important aspects usually overlooked in El licenciado Vidriera, Don Quixote, and most importantly, in La gran sultana and Soneto al túmulo de Felipe II. The opening of Lezra's El suceso cervantino is most definitely impactful. With a Prologue abounding in profane verbiage, Lezra may not favor all types of readers, but rather those who are thoroughly familiarized with the works of and the scholarship on Cervantes. Even then, the readers may find themselves questioning the intent of Lezra's Prologue. Is he trying to critique the often-far-fetched readings of Cervantes's works that have been surfacing in the recent scholarship? Irony is what an experienced Cervantes reader and scholar will perhaps find between the lines of the Prologue of El suceso cervantino. However, as they submerge into Lezra's quixotic world, they will conclude that Lezra does to Cervantes what he suggests to be done to Cervantes: A Cervantes, manosearlo. El toqueteo, la falta de respeto (13). The following pages, until the end, contain a focused reading of possible meanings in deeper layers of Cervantes's texts and the Cervantine thought. A compilation of previously published articles and unedited works, El suceso cervantino subsumes six chapters and a conclusion, skillfully translated into Spanish by Javier Rodríguez Fernández (9). The first chapter, Encontrarse con Cervantes. Economía política del alma, touches on an array of topics spanning a reading of Soneto al túmulo de Felipe II and defining homo hispanis, an analysis of El licenciado Vidriera and the cultures of translation, reading, and writing. In each reading, Lezra pays painstaking attention to Cervantes's lexicon—from proper nouns to intentional paronomasia—concluding the chapter with a statement that the Spanish writer establishes Cervantism that conveys literary, national, and disciplinary cultures (104). Chapter 2, Filología y falange, draws parallels between philology and falange through a reading of Don Quixote. Lezra sees Don Quixote as the point de caption entre filología y falange, entre las identidades que construyen la falange y la filología a mediados de los años 1930, campea, herida, con un 'hueco' en el alma, bajo dos empresas, con dos nombres: el de mi presencia y el de mi muerte (138). Chapter 3, Don Quijote, profanado, continues a reading of Don Quixote. Here, Lezra's focus is the eponymous protagonist's (lost) library and his search or manoseo through the wall where once stood his library. La mano de Cervantes, the longest of all chapters, follows the previous two on Don Quixote and offers a more extensive reading of Cervantes's novel. In this chapter, Lezra compares cuerpo, libro, and cuerpo del libro discussing the appreciated materialism of the body of the book (196). This chapter contains various analyses of references to the body in Quijote (i.e. reflections on the quixotic wordplay cetro en la mano y corona en la cabeza versus cetro en la cabeza y corona en la mano and the episode of tying Don Quixote's wrist) including readings of Freud, Irigaray, and Butler, among others. The following chapter, Fantasía del teatro, traces the theatrical practices from early Roman era to the Golden Age Spain with a specific reading of the..." @default.
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• W2891623521 date "2018-01-01" @default.
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• W2891623521 title "Contra todos los fueros de la muerte: El suceso cervantino by Jacques Lezra" @default.
• W2891623521 doi "https://doi.org/10.1353/hpn.2018.0155" @default.
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