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- W2891812875 abstract "Abstract This article examines the techno-philosophical aspects of how we create and understand musical systems in twenty-first century computational media. Arguing that processor-based media have exploded the compositional language of new music, the article proposes a set of concepts that might help us navigate this new space of instrumental possibilities. The term ‘ergodynamics’ – and related concepts – is proposed as a useful concept when describing the phenomenological, historical and aesthetic aspects of musical instruments, as well as a lens for looking at new compositional practices that can be defined as being either ‘idiomatic’ or ‘supra-instrumental’. The article explores the difference in composing for acoustic, electronic and digital instruments, and suggests that new musical practice can be characterised by a move from composing work to inventing systems." @default.
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- W2891812875 date "2018-12-24" @default.
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- W2891812875 title "ERGODYNAMICS AND A SEMIOTICS OF INSTRUMENTAL COMPOSITION" @default.
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- W2891812875 doi "https://doi.org/10.1017/s0040298218000633" @default.
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