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- W2891911237 abstract "IThe epigraph is taken from Ernst Bloch’s monumental inquiry into the irrepressibility of the utopian impulse (223). According to him, the naturalistsand empiricists, with their careful schematic mappings of an apparentlyfixed and closed social reality and their a priorist assumptions about thelaw-governed structure of human nature, deny the presence of history, ofthe real possibility of change, located within any present. Although Blochis referring to a much larger philosophical and aesthetic debate, the opposition he sets up here-that between naturalism and utopia-also usefullyrecalls an important event in the literary history of the latter part of thenineteenth century. Fredric Jameson argues that the dramatic reemergenceof utopian fiction in the late nineteenth century needs to be understood, atleast in part, as a response to the asphyxiating historical closure of thethen-reigning literary naturalism (Political 193).1 This is as much the casefor William Morris, whose News from Nowhere is a reply to the work of theEnglish naturalist writer George Gissing, as it is for Morris’s other primaryinterlocutor, Edward Bellamy, the latter decrying the “profound pessimismof the literature of the last quarter of the nineteenth century,” and writinghis hugely influential narrative utopia, Looking Backward, as an attempt toprovide an alternative to it (194)." @default.
- W2891911237 created "2018-09-27" @default.
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- W2891911237 date "2013-12-02" @default.
- W2891911237 modified "2023-09-23" @default.
- W2891911237 title "Where the Prospective Horizon Is Omitted: Naturalism and Dystopia in Fight Club and Ghost Dog" @default.
- W2891911237 doi "https://doi.org/10.4324/9781315810775-16" @default.
- W2891911237 hasPublicationYear "2013" @default.
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